the terror that terror brings
is infinite and without regard;
the terror that terror brings
has a divine scope.
terrors give me trembling hands,
shaky thumbs approaching
dirty off-white keys
as i am within the largest
most unsettling hug;
terror's arms are huge.
terror's hands are calloused
catcher's mitts, broken in with hate
i never really thought of death
as something real,
as something permanent,
as something that happens to real people,
and, now, its glaringly obvious
that death is the only reality,
that life is the fiction we're creating
when the sun is up and when the sun is down,
that it is in everyday life where the battle for power
takes place, and it's your narrative
against my narrative:
who will persuade or coerce us
"This is Reality."
... but it will really, always, never be 'this' or 'that'
but 'this and that and this, this, and this and that, too',
and then thisthisthisthatthisthatthatthatthisthisand that, too.
i am afraid
i can't think of you, mom.
for to think of you
is to later dream of you
of how id like my life to be,
of how id like your life to be,
and thats all i want for you,
to speak of you, again, in the present tense.
"in the poetry of the poet and in the thinking of the thinker, there is always so much worldspace to share that each and every thing - a tree, a mountain, a house, the call of a bird - completely loses its indifference and familiarity." - martin heidegger
20110605
20110531
20110527
floricide, vaticide, hopicide, and other epistemicides; or, the vole in our hearts
seated, ill-fated and faded,
spinning on top of a top
at the tip top of olympus mons,
swirling down to sewers,
wet, wild, thrown into the cellar
where charon beckons forever . . .
but we may yet scale the mariana trench,
out of the ocean and up onto land,
arriving, safe, sopping, sound
where i will parabolize your mouth,
upside then down;
i will bring your hunched shoulders
to the sun then to the soil;
i will emblazon your sky
until you stub me out
amid plates clashing
the range will form
our peaks hemispheres apart,
and i will terrify you
my heart is two sizes too big
spinning on top of a top
at the tip top of olympus mons,
swirling down to sewers,
wet, wild, thrown into the cellar
where charon beckons forever . . .
but we may yet scale the mariana trench,
out of the ocean and up onto land,
arriving, safe, sopping, sound
where i will parabolize your mouth,
upside then down;
i will bring your hunched shoulders
to the sun then to the soil;
i will emblazon your sky
until you stub me out
amid plates clashing
the range will form
our peaks hemispheres apart,
and i will terrify you
my heart is two sizes too big
20110410
on a plane from columbus, ohio to chicago, illinois, after the wedding of my best friend; after the wake, funeral, and burial of my mother; after years of personal ethics-zeitgeist collisions causing a general lack of success, i.e. happiness
sitting, slumped in my airplane window seat,
unsure, unwitting, and unwise,
your head appears, swiveling,
as long curly black ropes, pivoting
my pen towards your well of ink.
searching for a seat for your body,
it is plausible to see you seeing
yourself in the mirror and smiling
with tangerine abandon and clear content.
i already have neighbors;
my row allows for no more.
fate has put you there;
you have put you here.
and i have only these words,
blown round my imagination
for a minute of stirred whimsy,
everyday life’s salt
against slick monotony.
what would it be like to dip my pen in your inkwell?
how would you feel after dipping your pen in my inkwell?
could we save each other?
can anyone save anyone else?
are rested heads on shoulders mere
heroin and chasing from dear to dear?
but possibility seems concave, bland and sterile;
i am satisfied with my words and will . . .
and nothing but disappointment.
negation leaves only the boring?
or will i always want the can’t’s and the hasn’t’s?
questioning the efficacy of past action,
declaring potentiality,
constructing imperative theories . . .
writing poetry keeps me present,
writing poetry is ballast.
as it is, i'll surely be stuck in a cumulus before breakfast.
unsure, unwitting, and unwise,
your head appears, swiveling,
as long curly black ropes, pivoting
my pen towards your well of ink.
searching for a seat for your body,
it is plausible to see you seeing
yourself in the mirror and smiling
with tangerine abandon and clear content.
i already have neighbors;
my row allows for no more.
fate has put you there;
you have put you here.
and i have only these words,
blown round my imagination
for a minute of stirred whimsy,
everyday life’s salt
against slick monotony.
what would it be like to dip my pen in your inkwell?
how would you feel after dipping your pen in my inkwell?
could we save each other?
can anyone save anyone else?
are rested heads on shoulders mere
heroin and chasing from dear to dear?
but possibility seems concave, bland and sterile;
i am satisfied with my words and will . . .
and nothing but disappointment.
negation leaves only the boring?
or will i always want the can’t’s and the hasn’t’s?
questioning the efficacy of past action,
declaring potentiality,
constructing imperative theories . . .
writing poetry keeps me present,
writing poetry is ballast.
as it is, i'll surely be stuck in a cumulus before breakfast.
20110406
the possibility of possibility amid amor fati
my mother died,
and the breeze
in my step left.
my mother died,
and the breeze
in my step left.
but i lived on,
still,
while her chained heart
sank to the depths.
your heart still beats;
i almost mourn you more
since you are human
and prone to reason,
while death will not be wooed away.
i have the faith
of the dogmatists' i hate;
ressentiment divides
the self of my own fate
into a million negatory mirrors.
death is not just the end;
it's another beginning.
and the breeze
in my step left.
my mother died,
and the breeze
in my step left.
but i lived on,
still,
while her chained heart
sank to the depths.
your heart still beats;
i almost mourn you more
since you are human
and prone to reason,
while death will not be wooed away.
i have the faith
of the dogmatists' i hate;
ressentiment divides
the self of my own fate
into a million negatory mirrors.
death is not just the end;
it's another beginning.
20110404
Radiohead's 'Frozen' (featuring Charles Bukowski and Steven Lazaroff)
ye olde prologue
radiohead's 'frozen'
epilogue (a)
Bukowski's 'Bluebird'
(rebuttals and alternative endings)
epilogue (b)
Bukowski's 'The Laughing Heart'
epilogue (c)
Lazaroff's 'The Girl and Her Door
radiohead's 'frozen'
epilogue (a)
Bukowski's 'Bluebird'
(rebuttals and alternative endings)
epilogue (b)
Bukowski's 'The Laughing Heart'
epilogue (c)
Lazaroff's 'The Girl and Her Door
20110327
can survive with anyone
long as ya have enough drugs around
people are laughter
people are bodies
can survive with anyone
if you have enough drugs around
when i feel the warmth
rushing through my brain
feels like i'm striking every last frame
feels like i'm rolling a 300 game
in sunny bumpered up alleys
the porcelain here is cleaner than god
there's no distinction
you cannot make
there's no person
you can't explain away
there's no heart
that isn't beating
no cloudy souls
when you have enough drugs around
dancing in crowds
looking around
seeing all smiles
the best place to look
is just up up and down
ooh, ooh
if there's enough drugs around
ooh, ooh
if there's enough drugs around
forget your heart with every turn
i dont wanna run
i just really have to burn
do you, do you have some drugs around?
hey man, you got somethin to cop?
i sure could use something for these memories
when i feel the warmth
rushing to my heart
feels like i'm striking every last frame
feels like i'm rolling a 300 game
in sunny bumpered up alleys
the porcelain here is cleaner than god
there's no distinction
you cannot make
there's no person
you can't explain away
there's no heart
that isn't beating
no soul vacuumed when
you have enough drugs around
when i feel the warmth
rushing to my heart
feels like i'm striking every last frame
feels like i'm rolling a 300 game
in sunny bumpered up alleys
the porcelain here is cleaner than god
you're always late
i'm always early
first thing to learn is
always gotta wait
long as ya have enough drugs around
people are laughter
people are bodies
can survive with anyone
if you have enough drugs around
when i feel the warmth
rushing through my brain
feels like i'm striking every last frame
feels like i'm rolling a 300 game
in sunny bumpered up alleys
the porcelain here is cleaner than god
there's no distinction
you cannot make
there's no person
you can't explain away
there's no heart
that isn't beating
no cloudy souls
when you have enough drugs around
dancing in crowds
looking around
seeing all smiles
the best place to look
is just up up and down
ooh, ooh
if there's enough drugs around
ooh, ooh
if there's enough drugs around
forget your heart with every turn
i dont wanna run
i just really have to burn
do you, do you have some drugs around?
hey man, you got somethin to cop?
i sure could use something for these memories
when i feel the warmth
rushing to my heart
feels like i'm striking every last frame
feels like i'm rolling a 300 game
in sunny bumpered up alleys
the porcelain here is cleaner than god
there's no distinction
you cannot make
there's no person
you can't explain away
there's no heart
that isn't beating
no soul vacuumed when
you have enough drugs around
when i feel the warmth
rushing to my heart
feels like i'm striking every last frame
feels like i'm rolling a 300 game
in sunny bumpered up alleys
the porcelain here is cleaner than god
you're always late
i'm always early
first thing to learn is
always gotta wait
20110318
letter to a future love
dear,
sitting next to her in bed
thinking of the woman and mother she was . . .
she mutters now.
mumbles, stutters, babbling
off in a language, in a world
she only senses and does not know.
“now – here’s where it tells you everything.”
i hope she is talking to God.
i don’t believe in God,
but i hope she is talking to God.
for a breath i assume His Transcendent Existence,
but run away cursing
his bleak, everyday
manic depression.
still, her smiling face shines my memory:
i see her look down into tangled covers,
reminding it’s time to go somewhere cool,
and all i want is to be there now,
and not here,
watching her departure
through sagging skin,
through inane smiles,
through lost thoughts.
i wish you could have known her,
aside from my salty floods,
aside from my paragraph home movies,
aside from my smile in profile,
and what it does to my nose.
i wish she could have seen you
smile at me smiling at you smiling at me,
and i wish she could have seen
the battles we wash off our necks,
like she did cake off my lip corners.
i wish you could have known her
before triple-negative,
before metastatic and inoperable,
before incurable,
before cancer coursed,
and these words became the Himalayas.
love of mine,
lover of me:
what hurts most
in The Time of All Encompassing Heart Hurt
is that you’re not here yet,
is that i am all alone,
and you’ll never know
my other best friend.
yours,
me
20110305
20110217
yy____ on sunday morning, getting high in wisconsin
cooking breakfast with your mom in wisconsin
____ monday evening on lake wisconsin
____ in wisconsin
running after that ball
that wind blown beach ball
it went into the water
lead us to that
wonderful sandbar
feeling you grabbing the back of my skull
feeling you gr
brushing hair out of your face is all i ever wanna do
brushing hair out of your face
brushing brushing hair out of your face is all i ever wanted to do
staystaystaystay
stay
stay
stay
stay
staystaystaystay
just stay
dont run
but dont forget things
that cant be undone
cooking breakfast with your mom in wisconsin
____ monday evening on lake wisconsin
____ in wisconsin
running after that ball
that wind blown beach ball
it went into the water
lead us to that
wonderful sandbar
feeling you grabbing the back of my skull
feeling you gr
brushing hair out of your face is all i ever wanna do
brushing hair out of your face
brushing brushing hair out of your face is all i ever wanted to do
staystaystaystay
stay
stay
stay
stay
staystaystaystay
just stay
dont run
but dont forget things
that cant be undone
20110206
20110125
20110109
20110106
on earth, the possibility for life as we know it, and the probability that we should know life differently
20100930 12:07 p.m.
The world's closing in
far and wide in wraith diners
red with bash,
hiding behind redwood reeds
atop
a baroque flowerbed
straddling
raw chafing rivers bulging,
throbbing
tense filled canoes.
It is the beginning of the end of it all,
in the beginning to the beginning of it all,
and can we stop?
stop> as blackbirds descend from sky>look up>tilt left shoulder thirty degrees>look up, swat blackbirdoff neck's posterior triangle>wipe your neck>blackish maroon>syrup finger to finger stick > kneel and swat,
< terribly late for something
The world's closing in
far and wide in wraith diners
red with bash,
hiding behind redwood reeds
atop
a baroque flowerbed
straddling
raw chafing rivers bulging,
throbbing
tense filled canoes.
It is the beginning of the end of it all,
in the beginning to the beginning of it all,
and can we stop?
stop> as blackbirds descend from sky>look up>tilt left shoulder thirty degrees>look up, swat blackbirdoff neck's posterior triangle>wipe your neck>blackish maroon>syrup finger to finger stick > kneel and swat,
< terribly late for something
. . . i have to . . . like,
. . . i can't . . .
. . . i don't know how to . . .
how to . . .
sincerely, knowingly, want to
experience someone liking me
more than i like them
. . . anyone
jus'eed fo dollahs
g'some food
my'daughters n me
jus'eed fo dollahs
lil foo'fo'daye
hey man!
can you spare some change?
i hear your pocket jingling
SURPLUSING
my guys got that epidemic H
round there and
round there and
round there and
'only ten'ollars'n'seveny cens shote
------
\you gotta cleaneedle?
I don't say anything, really, in our 'normal understanding' of 'say' or 'anything.'
I speak to you
not in request
not in demand
but in lieu
but in lieu of.
I speak choice
but under the monolithic sticky banner
one choice looms:
(inherit)competepurchase
and report to me.
I'll see you on the 15th.
I'll see you on the 30th.
I'll see you on Wednesday.
I'll see you at the new Gap @ The Sphinx.
not in request
not in demand
but in lieu
but in lieu of.
I speak choice
but under the monolithic sticky banner
one choice looms:
(inherit)competepurchase
and report to me.
I'll see you on the 15th.
I'll see you on the 30th.
I'll see you on Wednesday.
I'll see you at the new Gap @ The Sphinx.
We need to bomb them.
Their land's
material'n'spiritual
'n'strategic advantage.
In seventy-two hours
operation bloody hymened crescent
shall rush forth over whosevers banks
so choose to lie against our jagged tide.
I am my neighbor
I am my sister
I am my mother
I am my fourth boyfriend
I am my sixth grade
I am a goddess
I am a slut
I am a liar
I am
I am a cunt
I am a goddess
I am an empath
I create and destroy,
but I am your eyes
It's easier down
. . . it goes down easier
tobeyouandnotme
fuck.
you.
'for real',
fuck
you.
im not gonna do that.
im not gonna
i wont
ever
pick at those apples
under that sky.
i wont ever.
the world seems waning again,
but it's morning - again
see the smiling girl stand
in the city's penumbra.
left arm in a sling,
blood underlined eyes
like linebackers of yore.
three-pointed towards . . .
run to her as she runs to you.
in the city's penumbra.
left arm in a sling,
blood underlined eyes
like linebackers of yore.
three-pointed towards . . .
run to her as she runs to you.
DUMP2/philosophy for children
20101119 8:05 p.m.
[human being] places their finger upon a vein of [human being ]'s thumb/index finger region and traces the tributary to the nearest neighborhood tributary vein
[human being] places their finger upon a vein of [human being]'s thumb/index finger region and traces the tributary to the nearest neighborhood tributary vein
[human being] places their finger upon a vein of [human being]'s thumb/index finger region and traces the tributary to the nearest neighborhood tributary vein
[human being] places their finger upon a vein of [human being ]'s thumb/index finger region and traces the tributary to the nearest neighborhood tributary vein
[human being] places their finger upon a vein of [human being]'s thumb/index finger region and traces the tributary to the nearest neighborhood tributary vein
[human being] places their finger upon a vein of [human being]'s thumb/index finger region and traces the tributary to the nearest neighborhood tributary vein
DUMP 1/half-birth (under a microscope); an autonomous citizen of earth (from a blimp)
20101111 3:30 p.m.
what are you doing tonight?
almost certainly saving my life.
what does that mean?
i will certainly save my life tonight.
what are you doing tonight?
almost certainly saving my life.
what does that mean?
i will certainly save my life tonight.
20110105
the chicago parking meter situation: a clean clean mayoral bottom asits
Initially, much of the proceeds from the meter deal were targeted to benefit Chicago over the long term - in capital infrastructure projects, rainy day funds and so forth. Shortly after the deal was signed, however, Daley found himself with an unexpected $400 million shortfall, and - not wanting to raise taxes or cut services in a recession - filled the budget hole with parking meter money. Whenever the capitalization of an asset occurs, citizens should be wary if city hall devotes proceeds to filling operating deficits. After all, the structural deficits do not vanish, but the ability to monetize the asset again does.
http://www.governing.com/columns/mgmt-insights/Chicago-Parking-Meters.html
20101210
grace kelly
makes my right dimple tremble
brings the smiling
cold canadian front in july
fills my eyes with 2010's tears
when you joyously cry
is it the waxing gibbous moon mouth
20101027
20101027 11:15 p.m. (probably)
his arms grabbed her shoulders with both hands, squaring her eyes to his eyes
" . . . "
" . . . "
her arms grabbed his shoulders with both hands, squaring his iris to her iris
" . . . "
her left index finger closed his right eyelid
his right index finger closed her left eyelid
her right index finger closed his left eyelid
his left index finger closed her right eyelid
they stood with eyes closed, hand upon shoulder, did not speak, did not move for twelve minutes when a little boy in corduroy passed between their legs.
he opened his right eyelid
with his right index finger
with his right index finger
and opened her right eyelid
with his right index finger
i always thought i was a slight, more frail, john candy lovable loser type until i met you
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i, i, i
- steven
- "Seeing that before long I must confront humanity with the most difficult demand ever made of it, it seems indispensable to me to say who I am. Really, one should know it, for I have not left myself "without testimony." But the disproportion between the greatness of my task and the smallness of my contemporaries has found expression in the fact that one has neither heard nor even seen me. I live on my own credit; is it perhaps a mere prejudice that I live? ... I need only to speak with one of the "educated" who come to the Upper Engadine for the summer, and I am convinced that I do not live ... Under these circumstances I have a duty against which my habits, even more the pride of my instincts, revolt at bottom, namely, to say: Hear me! For I am such and such a person. Above all, do not mistake me for someone else!" - Nietzsche, Ecce Homo

