Dreaming we've walked grocery
store aisles stalking
perfect cereal. Then: Which aisle
for toothbrushes? And does soy
milk's cream perfectly
complement Lucky Charm's
marshmallow? The man pointed but
didn't know what your smile telegraphed
into the pillow later that morning right before I picked
Total out of sky and into bowl.
--
The secret isn't a secret un-
til after midnight's pumpkin hour
when my etched back sits
setting into the range your nails laid,
forcing unknown unknowns' hand
delivering the knowledge of questions.
--
I have stood in my bathroom under
examining bright light, back toward
the mirror, neck craned twisted avenging
loss through understanding
the intent of your topology. How
can we move peak-to-peak - and did
you pack the leather bomber?
"in the poetry of the poet and in the thinking of the thinker, there is always so much worldspace to share that each and every thing - a tree, a mountain, a house, the call of a bird - completely loses its indifference and familiarity." - martin heidegger
20120827
por supuesto, la puta vida
dams don't have honest divinity.
The flood always comes.
The gods hear not, think
not and only uncunningly will
[ . . . . ]
undead, too: the
pantheon will survive us all.
The flood always comes.
The gods hear not, think
not and only uncunningly will
[ . . . . ]
undead, too: the
pantheon will survive us all.
(Godliness next to
nothingness.)
+ One Hundred Two Days, Twelve Hours, Forty-Five Minutes, Six Seconds
" . . . "
"I said that, yeah."
[ . . . . ]
"I do live
even tri=
=umphant, pearly dreams
half-awake."
20120820
[ . . . ]
forest groves, the city, the sidewalk,
sideways glances, cracks, slivers, crevices, mud brown,
pitch black, chaste white, hand-
conducted words, conjured memories, maps, unrequited love,
shrill hissing, requited love, hot pissing, heroes
furrowing into cowards, cowards sweating into heroes, communication
chasms, aladdin, thom yorke, mozart, simba and nala, apocalyptic
v. gradual change, amor fati, foraging, rummaging,
looking underneath, satchels,
heraclitus,
orange peels,
red rover,
the river styx,
conflict->tension->rupture-> flux->transcendence,
leap frog, dirty clothes, naked sky, spackled idols, sticky buds
sideways glances, cracks, slivers, crevices, mud brown,
pitch black, chaste white, hand-
conducted words, conjured memories, maps, unrequited love,
shrill hissing, requited love, hot pissing, heroes
furrowing into cowards, cowards sweating into heroes, communication
chasms, aladdin, thom yorke, mozart, simba and nala, apocalyptic
v. gradual change, amor fati, foraging, rummaging,
looking underneath, satchels,
heraclitus,
orange peels,
red rover,
the river styx,
conflict->tension->rupture->
leap frog, dirty clothes, naked sky, spackled idols, sticky buds
[old] 2012.05.30
there's more in the shed
jus ask the girl at the counter
bring her empty cartridge box
she'll pull it from back
microfiche
vhs
laserdisc
floppy disk
whatever you want
just make it dusty
20120726
Elegy for 'Warm'
I cherish every
word you give
me though
you give me not but a few, and
it's not the void,
the sparse, the lacking, the...
that brings me back and back under
tornadoed, pinched-off knees
weak through to plasm tenuous as
you shyly try to outcheshire the missing-out-
on-you-world but as a fool's fool I am unfoolable.
I've downloaded
the automatic refresher, and
purchased a yottabyte
hard drive so I might
divine genesis, gestation, birth: the
bell ringing your heart's hand-
maidens, and at what hour, what
angle of sunlight, I can see through
foreboding uncertainty,
through Beam courage holding
belief's straggling hand giving
us Heart we
just dug: letting the
cat out of your eyelash,
ringing the mys-
tery out of your skin,
airing into being a stranger I
know, whom
you carry in maze
goddesses enw(/t)ombed;
I pray you know-- to
gods divined wholly
in spirit, effigy, tribute, idolatry, through
saccharine lonely-fired castles
--that you might meet you, and we
might smile so big our
waxing, saltypink faces break off in-
to eternal combustion engine bread.
But this is myth:
ROYGBIV to pitch-white;
Lies under flashlight
hurt worse than sunbright
conspiring.
Losingfull loneliness
enlarges the heart in-
to authoritarian delusion.
Heart
subsumes every. Heart colors
Heart into blank. Warm does
not feel Cold. (Warm is
gullible)
word you give
me though
you give me not but a few, and
it's not the void,
the sparse, the lacking, the...
that brings me back and back under
tornadoed, pinched-off knees
weak through to plasm tenuous as
you shyly try to outcheshire the missing-out-
on-you-world but as a fool's fool I am unfoolable.
I've downloaded
the automatic refresher, and
purchased a yottabyte
hard drive so I might
divine genesis, gestation, birth: the
bell ringing your heart's hand-
maidens, and at what hour, what
angle of sunlight, I can see through
foreboding uncertainty,
through Beam courage holding
belief's straggling hand giving
us Heart we
just dug: letting the
cat out of your eyelash,
ringing the mys-
tery out of your skin,
airing into being a stranger I
know, whom
you carry in maze
goddesses enw(/t)ombed;
I pray you know-- to
gods divined wholly
in spirit, effigy, tribute, idolatry, through
saccharine lonely-fired castles
--that you might meet you, and we
might smile so big our
waxing, saltypink faces break off in-
to eternal combustion engine bread.
But this is myth:
ROYGBIV to pitch-white;
Lies under flashlight
hurt worse than sunbright
conspiring.
Losingfull loneliness
enlarges the heart in-
to authoritarian delusion.
Heart
subsumes every. Heart colors
Heart into blank. Warm does
not feel Cold. (Warm is
gullible)
20120723
on smiling (the de- and re-constructive act of honestly taking account of the cheese, the cliche, the tragically trite)
Harsh warm morning light
i
ii
Smiles are
Creaking new house sounds
Opening patio door
Looking into vast plat;
The creek trickles softly in détente,
cleanly over stoic bedrock agefull.
i
His cheek's
a bit pocked. Smile peeks
out behind red lips,
life reveling
ribs weary from
rescusitation
exposed to flaccid
pummeling broken
into unevent. But here parting lips
calendar Holiday's arrival.
ii
Smiles are
tributaries rushing through forest,
trenching a new path toward
quenching scorched choking sediment
yearning memory aching to transcend
sentiment.
iii
iii
Smile
plats heart's blueprint. Smiles
travel time, rupturing
past;
Smile canvasses
future, bridges presents.
20120721
resting heartbeat (an end until another beginning)
and then all of a sudden
the sun shone brilliantly
upon the unfurled green pistil
and anxious pitterpatter
became ambling pit-pat
the sun shone brilliantly
upon the unfurled green pistil
and anxious pitterpatter
became ambling pit-pat
20120617
i'm a pathetic parasitic almost sort of poet dining as i do solely on despair or revelation emanating from my own day to day tribulations and epiphanies composing the year to year life arcs i foretell in dreams and then enact and then watch on looped replay with threatening telestrator in hand.
this might be the first time i've ever straight-facedly referred to myself as a poet. which itself is inherently more than just 'some' acclamation from an otherwise increasingly cantankerous never satisfied always pullin out more canvas sort of philosopher life author self.
feels like implicitly bullshit tho. this whole charade now.
'poet', 'poetry, poetic'... these are judgments assigning value, taking 'poetry' as we (me and my group of bureaucrats, credentialed experts and thorough archivists) to not be confined to that niched writing territory of 'not considered short and novelized fiction'. i mean: poetry seems less a discipline and more of an abstract value not limited to written words applying to or eschewing convention. a spirit an aesthetic. 'a poetic gait' 'your timbre is poetry' ... as well as homer and whitman and rilke and dylan and hendrix and others more conventionally called 'poets'. i don't pretend this to be revolutionary to the aesthetics field or a meaningful contribution to contemporary or eternal philosophy of art conversations. the declaration is important to me.
this is all to say that i may be a parasitic poet but it's not pathetic.
this might be the first time i've ever straight-facedly referred to myself as a poet. which itself is inherently more than just 'some' acclamation from an otherwise increasingly cantankerous never satisfied always pullin out more canvas sort of philosopher life author self.
feels like implicitly bullshit tho. this whole charade now.
'poet', 'poetry, poetic'... these are judgments assigning value, taking 'poetry' as we (me and my group of bureaucrats, credentialed experts and thorough archivists) to not be confined to that niched writing territory of 'not considered short and novelized fiction'. i mean: poetry seems less a discipline and more of an abstract value not limited to written words applying to or eschewing convention. a spirit an aesthetic. 'a poetic gait' 'your timbre is poetry' ... as well as homer and whitman and rilke and dylan and hendrix and others more conventionally called 'poets'. i don't pretend this to be revolutionary to the aesthetics field or a meaningful contribution to contemporary or eternal philosophy of art conversations. the declaration is important to me.
this is all to say that i may be a parasitic poet but it's not pathetic.
unedited (or, run-on) (or, fuck 'or': 'and' 2012, baby!)
loving is the only thing i can do. everything else every other action is overflow outgrowth from loving or trying to love.
or that loving when i should've been liking lest i break some code some coolness line in the sand because there is nothing worse than looking up and suddenly realizing you're on a perch where after 0-CRYSTALLIZED you now are of the clear-headed sober minded opinion that (shhhh) you now just-this-moment like someone less than they like you.
should've been shouldve been shouldve been shouldve been...
who says?
the reckoners in the back working the super computer sharpening the algorithm to the meaning of life. you should see their faces light up as another story is built on some tower in a massive ideological complex. or when they repaint the veneer of a much venerated now statued high-rise principle after leading the way to victory in campaign after campaign.
love is not just for fate or for the will or for the leaping heart or for the analytical brain or for the stepping foot or contemplating mind. love is acceptance of the necessary. love is both a base jump and a succumbing lying down smiling. love is not the sun or the moon or the sky or the ground or the roots. lovingly much more so than a mere toleration but with joy towards the sun the moon the sky the ground the roots the passing glance the lingering hug goodbye the awkward kiss. love is adoration for acknowledging absorbing enacting the imperative of Here and Now away from the narcotic release of heavenly past and future. love is abiding but never obligatory. love is a constantly presented choice. love is the originary question the question of questions. every other question derives from the basic impulse to love or to hate. choose love as the man said to choose the abyss.
!this message has been jointly funded by the Coalition to Moderate Deification and the Campaign to Elect 'love'* as the Overt Acting Main Guiding Principle Influencing the Self!
^please stop capitalizing the preceding four words and capitalization-as-convention-in-general. it's pretentious, aloof, and diluting. this is a challenge to reinject words with meaning by really constructing, actively deciding what is proper to 'proper'.
*please email the author for a pdf of love's dissertation and video of his defense against legendary antagonist 'pragmatism'
or that loving when i should've been liking lest i break some code some coolness line in the sand because there is nothing worse than looking up and suddenly realizing you're on a perch where after 0-CRYSTALLIZED you now are of the clear-headed sober minded opinion that (shhhh) you now just-this-moment like someone less than they like you.
should've been shouldve been shouldve been shouldve been...
who says?
the reckoners in the back working the super computer sharpening the algorithm to the meaning of life. you should see their faces light up as another story is built on some tower in a massive ideological complex. or when they repaint the veneer of a much venerated now statued high-rise principle after leading the way to victory in campaign after campaign.
love is not just for fate or for the will or for the leaping heart or for the analytical brain or for the stepping foot or contemplating mind. love is acceptance of the necessary. love is both a base jump and a succumbing lying down smiling. love is not the sun or the moon or the sky or the ground or the roots. lovingly much more so than a mere toleration but with joy towards the sun the moon the sky the ground the roots the passing glance the lingering hug goodbye the awkward kiss. love is adoration for acknowledging absorbing enacting the imperative of Here and Now away from the narcotic release of heavenly past and future. love is abiding but never obligatory. love is a constantly presented choice. love is the originary question the question of questions. every other question derives from the basic impulse to love or to hate. choose love as the man said to choose the abyss.
!this message has been jointly funded by the Coalition to Moderate Deification and the Campaign to Elect 'love'* as the Overt Acting Main Guiding Principle Influencing the Self!
^please stop capitalizing the preceding four words and capitalization-as-convention-in-general. it's pretentious, aloof, and diluting. this is a challenge to reinject words with meaning by really constructing, actively deciding what is proper to 'proper'.
*please email the author for a pdf of love's dissertation and video of his defense against legendary antagonist 'pragmatism'
20120616
faith
m
a
y
b
e
h o
a
y
b
e
h o
p
e
fully
some
t
hiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiing
sometime
20120613
super symmetry me unseen
a Form
jutting 5d
out from body
as shadow
as path
as massive looming
destiny's narrated coincidence
harboring Dear Leaders
knitting A Pattern to Pattern
putting moment on a milk carton:
put down the telestrator
clear the room of experts
clear the room of archivists
cross your heart
and hope to die
a Form
jutting 5d
out from body
as shadow
as path
as massive looming
destiny's narrated coincidence
harboring Dear Leaders
knitting A Pattern to Pattern
putting moment on a milk carton:
put down the telestrator
clear the room of experts
clear the room of archivists
cross your heart
and hope to die
immoderate thought's a bacteria
vice is only a towel away
stay in the water:
constant pruning
it's the only place to become
overwrought, panicking, schematizing
time-traveling, oscillating, vacillating
just let the body see
super symmetry me
under the raffia palm tree
History is the way
life ambles
History is life's
Absolute Cadence
isolated by the top place finisher
told by the gold medal winner
hanging on Hillary's Step
jutting jaggedly
in then out
climbing the sky
dropping into pits
we are homeless
pursuing History
and we are homeless
pining grey hymns
pursuing History
and we are homeless choosing
the bank we came in on
or the bank we'll leave for
over the flowing river enacting
20120602
synaptogenesis
place your forehead on my forehead
see-------------------------------------------------------------------------------------------------------------------------saw
see-------------------------------------------------------------------------------------------------------------------------saw
b ack n forth
b ack n forth
b ack n forth
let's xerox our brains
lobe on lobe
let's a y
h r s n
c t apses
our
under C R O W N I NG S K Y
wrap fingers around t...r..e m b l i n g growth cone
firing axonal flares into aethēr
firing axonal flares into aethēr
squeeze out coDicarius vertebrae
through MYelin sheath
buRsting into folia
and into dendritic spine
looking for another den DRItic
spine lookingforanother
growth cone lookin for
another growth cone
you neural cartographer you
neural cartographer you neural cartographer
you neural cartographer you
then we'll trace a path
and climb thalamic ridge:
through MYelin sheath
buRsting into folia
and into dendritic spine
looking for another den DRItic
spine lookingforanother
growth cone lookin for
another growth cone
you neural cartographer you
neural cartographer you neural cartographer
you neural cartographer you
then we'll trace a path
and climb thalamic ridge:
you be hillary,
ill be tenzing;
no, wait, wait:
you're better with ropes;
you be tenzing,
ill be hillary!
cuz i wanna live how
your pupils
dilate at apex;
your pupils
dilate at apex;
i want to know the path
blood courses
winding side roads round rush hour
leading to your pop's cabin
i want to
ri de you r
heartbeat
as
you place
your forehead on my forehead
i want 10,000 double-sided copies
colored
collated
collated
stapled
88 gigapixels sharp
i want a ten-eon G IF
to hang in the nursing home
to laminate into a placemat
to hang in the nursing home
to laminate into a placemat
for when narratives flicker
i want my last man in the cave to push the boulder ou T and screa M your naMe
into the echoes releaseD
in eternity's big bang:
20120518
20120509
reach i]]]]]n
r{[(e)]}{[(e)]}{[(e)]}{[(e)]}ach iN ^five
reach i]]]]]n
cup yOUr hands ^six
cup yerrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr han]]ds
cup yOUr hands and
drink ^four
drink my spinal fluid
drink my spinal fl[[U]]id
drink my spinal fluid
from your palms
drink my spinal fluid
from your palms
drink mY spinal fluid
from th[[[[e tap
drink mY spinal fluid
from choroid plexus through S6
drink my spInal fluid
and i will drInk yours
drink my spInal fluid
and i will drInk yours
^three
sit on the seat'o my soul
and i'll sit on yours
20120424
human1: to some people, this is the best part of the day . . .
(human2 is confused)
h1: 5 o'clock.
(h2 now understands perfectly; Kevin Arnold Facial Shift coupled with Knowing Nod)
h2: yeah, but for others(!)--
h1: it's the worst! so anxious!
h2: yeah, released from our slavery, thrown into freedom, for those of us unwilling to merely perpetuate the dominant practice of post-work recreation only serving to reinforce the status quo, only offering a more comfortable shackle upon our wrist, the pull of the throw pillow... we feel the tension of flux, of who we are trying to become. and our hearts ghosten?
h1: yes.
h2: it's called becoming alienated from our humanity.
(human2 is confused)
h1: 5 o'clock.
(h2 now understands perfectly; Kevin Arnold Facial Shift coupled with Knowing Nod)
h2: yeah, but for others(!)--
h1: it's the worst! so anxious!
h2: yeah, released from our slavery, thrown into freedom, for those of us unwilling to merely perpetuate the dominant practice of post-work recreation only serving to reinforce the status quo, only offering a more comfortable shackle upon our wrist, the pull of the throw pillow... we feel the tension of flux, of who we are trying to become. and our hearts ghosten?
h1: yes.
h2: it's called becoming alienated from our humanity.
20120417
i don't know what's right
but i know this wrong
-t's all i've left rubbing
two sticks held in tongs
no fire, no loving
pacing into abysmal
contusions i conjured,
i feel like i fear
damn the fluid wave
crashing the static pier
spacing away the days
until, until, until, until...
some magic moment
prophesied eons ago
as a tucked-in lullaby
promised into hieroglyphics
prayed toward in drought
before magic died
reckoned to death
but i know this wrong
-t's all i've left rubbing
two sticks held in tongs
no fire, no loving
pacing into abysmal
contusions i conjured,
i feel like i fear
damn the fluid wave
crashing the static pier
spacing away the days
until, until, until, until...
some magic moment
prophesied eons ago
as a tucked-in lullaby
promised into hieroglyphics
prayed toward in drought
before magic died
reckoned to death
20120411
20120404
entertaining to tears
laughing
into unoblivious abyss
straining
throat to shreds boring
in-
to pillows but i can't unhear
my voice
wilting flailing galeful
loving
anythingeverythinganything
remotely approaching hearts
so intensely aortic
gush and burst astride towering unripe
frightened
quivering disuse
i would like to look in the mirror,
smile and unfeel lawyerous
:who
is guilty but me ?if not
me, then community
?if not
community, then me ?
nihilism,
too exhaustingly exhausted
apathy,
too pathetically copacetic
laughing
into unoblivious abyss
straining
throat to shreds boring
in-
to pillows but i can't unhear
my voice
wilting flailing galeful
loving
anythingeverythinganything
remotely approaching hearts
so intensely aortic
gush and burst astride towering unripe
frightened
quivering disuse
i would like to look in the mirror,
smile and unfeel lawyerous
:who
is guilty but me ?if not
me, then community
?if not
community, then me ?
nihilism,
too exhaustingly exhausted
apathy,
too pathetically copacetic
i choose the idols
i choose the gods
come what mayhowwill
i don'twon'tcan't unme .
20120329
morning, an excerpted short message service conversation from the one year anniversary of mom's death
thinking of you<3
[ . . . ] heart just swelled back to nearnormallevel
:)just keep it beating
(ed.-emp.add)
20120312
from a cubbyhole
in a tree house
at General Sherman's peak,
your nascent, still quivering, synaptic ridges
sit etched beneath my ass:
there will be a bridge
there will be a bridge
there will be a bridge:
the prophet said so!
no: one day there will be a slide
one day, i will build a water slide
out of your
at once, enquilted
at once, enwombing
and next, cavernous
and next, volcanic memory
i will careen down your thigh,
a fucking beautiful nylon run;
we will teem
in a tree house
at General Sherman's peak,
your nascent, still quivering, synaptic ridges
sit etched beneath my ass:
there will be a bridge
there will be a bridge
there will be a bridge:
the prophet said so!
no: one day there will be a slide
one day, i will build a water slide
out of your
at once, enquilted
at once, enwombing
and next, cavernous
and next, volcanic memory
i will careen down your thigh,
a fucking beautiful nylon run;
we will teem
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i, i, i
- steven
- "Seeing that before long I must confront humanity with the most difficult demand ever made of it, it seems indispensable to me to say who I am. Really, one should know it, for I have not left myself "without testimony." But the disproportion between the greatness of my task and the smallness of my contemporaries has found expression in the fact that one has neither heard nor even seen me. I live on my own credit; is it perhaps a mere prejudice that I live? ... I need only to speak with one of the "educated" who come to the Upper Engadine for the summer, and I am convinced that I do not live ... Under these circumstances I have a duty against which my habits, even more the pride of my instincts, revolt at bottom, namely, to say: Hear me! For I am such and such a person. Above all, do not mistake me for someone else!" - Nietzsche, Ecce Homo